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| I am a relative novice on slide guitar, but I think the kind of slide you use (glass, brass, steel, etc.) determines how much the stings get pressed. A heavy brass slide might require a bit higher action and resonance (thicker gauge strings generally) than say a lightweight glass one. Also using an open tuning (like E, A, or G) might change the tension a wee bit. My favorite slide guitar was an old beat up Fender Dreadnought Acoustic with a bit of a damaged neck (therefore a bit higher action). I actually enjoyed playing that one with the body on my knees face up sometimes. A bit of suggestion on the slide side.....learn the parts with your hands first then ease in the slide for light embellishment at first, then we you get get on target/in tune most of the time, then go hog wild on the slide embellishments (vibrato, longer slides). Nothing sounds worse than a out of tune slide part....check out "All I Wanna Do" by Sheryl Crow....seems easy, but it takes a long time to play it cleanly. I am jones-ing for a Pedal Steel, which puts a whole new color pallet on slide playing.
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| I've freely admitted elsewhere on this forum that I'm not a great guitar player, and now I'll add that I'm terrible with a slide on my finger. But that doesn't stop me from trying! I've experminted with this a lot, and action definitely makes a difference. My Gibson L-6S has an insanely low action and playing slide on that guitar is almost impossible. My old Epiphone Broadway has a higher action and heavier gauge strings, and I can actually do OK playing a little slide on that guitar. Adaptable's advice is good. Being a Skynyrd fan I've tried to play the slide parts from Freebird, and I learned it without the slide first, then went back and tried it with the slide. That is an effective way to figure it out. By the way, Gary Rossington from Skynyrd plays Les Pauls 95% of the time and gets absolutely classic humbucker tones out of them (think "Gimme Back My Bullets"). But, at least in the early days, he brought out an SG whenever he played slide. I don't know if he used an alternate tuning, but I know he had a dedicated slide guitar, so chances are it was tuned and set up differently than his LP. |
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| Kind of depends on how you play slide. Many players set up a guitar with heavier strings and slightly higher action. On the other hand, some players, such as Duane Allman and some others, simply play slide on whatever they happen to be playing at the time. This requires a very light touch with a slide, and if you don't wear your slide on your pinky, you can't really play chords. I vary my approach, depending on the situation and the song. If I am playing solo, I will usually have a guitar set up for slide at hand. I generally use a real bottleneck (Big Heart Slide Co) or a ceramic one (same maker). I also occasionally use a Robert Johnson brass model (BHSC) and even a knife blade sometimes. The bottom line is that there are as many ways of playing slide as there are players who do it, and each one, each different materiel or instrument, produces a different tone, and for those who seek it, the journey does not ever end..... |
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Peace |
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Great comment - ![]() |
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| I use a piece of copper pipe on my ring finger. It's not too thick and I love the tone that I get. A length of pipe is not expensive. I cut and keep a several pieces on hand. It's no big deal to lose one and the crowd loves it when you toss one out to them after a song. I play a Strat. I use standard tuning and my action is medium to low. |
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Hope that makes sense? Last edited by Spider : 06-11-2008 at 04:51 PM. Reason: addition |
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